Strange visions from exile — wheels, bones, a river — all saying the same thing: God is not finished.
Ezekiel, a priest in exile by the River Kebar, receives a dramatic theophany featuring four living creatures (chayyot) with composite faces and interlocking wheels (ophanim). Above the expanse he sees the kavod Yahweh—the glory of the Lord seated on a sapphire throne.
Dated to 593 BC, the fifth year of Jehoiachin's exile, this vision came to Ezekiel the priest among the Judean deportees in Babylon. The imagery draws on ancient Near Eastern throne-room iconography while subverting it to assert Yahweh's sovereignty beyond the Jerusalem temple.
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